John David Rhodes has published widely on European and American cinema and maintains a special interest in Italian cinema. He is interested in putting cinema into conversation with other artistic, cultural, and material forms. The relationship between the cinema and the built environment has been a consistent theme across his work. Most recently he has published Spectacle of Property: The House in American Film. This book proposes a critique of private property and cinema spectatorship through a consideration of particular architectural styles of dwelling and their appearance in cinema. The book was hailed in Critical Inquiry for the way in which it ‘points cinema studies in new directions that should inspire scholarship, teaching, and debate about space, modernity, and Hollywood history’. His first book, Stupendous, Miserable City: Pasolini's Rome, interprets Pasolini's cinema and poetry as deeply felt political responses to Rome's enormous expansion in the postwar period. He also maintains an interest in avant garde cinema, one product of which is a recent book on Maya Deren's Meshes of the Afternoon, for the BFI's Film Classics series. He has co-edited three volumes of essays: On Michael Haneke (with Brian Price); Taking Place: Location and the Moving Image (with Elena Gorfinkel); and Antonioni: Centenary Essays (with Laura Rascaroli). He is a founding co-editor of World Picture, an online journal primarily dedicated to theoretical and philosophical approaches to media.